Cities
:
Moving Cities
A bed
This short article looks at Sudanese beds in museum collections and suggests alternative narrative to these collections through drawing links to today's issue of displacement and the mobility nature of the Sudanese bed.
This short article looks at Sudanese beds in museum collections and suggests alternative narrative to these collections through drawing links to today's issue of displacement and the mobility nature of the Sudanese bed.
The meaning of home is something that gets contested a lot in times of war, what people leave behind and what they take with them as tokens of the homes they left can give glimpses to what really matters. A bed which is one of the most intimate parts of the house is a symbol of comfort and hospitality, being offered a bed to sleep is a common gesture in Sudanese households.
What is private and what is public also changes, as people share housing with others and sleep in public areas that others will try to treat as private.
The most common type of beds in Sudan is the Angareeb, a wood-framed low bed that is weaved by different types of materials. The Angareeb is a key element in various cultural events and rituals such as weddings and funerals, it has been part of the culture since the Bronze Age of the Kerma culture from 1750-1550 BC, where it was used to bury people at the time.
Wooden frame of a bed; bull-hoof feet from the New Kingdom, Purchased through: Sir Ernest A T Wallis Budge in 1887
The angareb is quite practical it could be used with or without a mattress, it’s light-weight and can be carried by one person, that’s why it’s rarely considered a fixed piece of furniture, beds get pulled out of the shade during the summer evenings in northern sudan to the yard so families sleep and spend the evenings in the cool air, angareb can be seen tied to the side of the truck and in shop fronts where the streets become the sleeping rooms for many travelers. In weddings homes the beds become drying racks for dishes and a surface for many uses.
Leather pillow or cushion. Hourglass-shaped with black and orange inserts on either side to expand the shape. Decorated with orange and black leather embroidery on one face.
Sudan; Darfur
Arkell, Anthony John [field collector and donor]
Cultural Affliation: Fellata Ibbe; nomad Felani; Baggara
1937
The bed is the first thing that gets assembled and then the tent is built around it in nomadic settlements, the concept of privacy is key as bed are placed in the most private part of the house, while the front side of the tent as well as the surroundings of the tent are used for other household activities. The beds are usually higher than the regular angareeb to provide more privacy, and it’s size take a dominant presence in the tent.
A group of women from the Umbararro Tribe in Niyala demonstrate how a tent is built 2020 © Zainab Gaafar
2 Photographic prints (black and white); 1. showing an array of woven baskets (kerio and omra) behind is a bed (sarir) in a tent. Umm Korara, South Darfur. 2. showing a camel palanquin and bed outside a tent.
May 1981
Photographed in: Darfur, Umm Korara
Paul Wilson notes this is one of a group of photographs taken at Umm Korara near Rajaj; camp of Shaykh Muhammad Sayara Abu Zakariyya [Rizaygat Jammala]. 1. "Centre is a 'sarir' [bed, called by Jammala 'hiddit'; by the Baggara itis called 'darangal', and by the Fellata 'darangal', 'layso' or 'fel'] It consists of strips of bamboo bound with leather, resting a foot above ground on sticks. Behind the bed by the tent canvas are a number of baskets - kerio + omra". 2. "Centre is shibriya or jifah - palanquin. In front of this is the 'sarir'/ 'darangal' bed".
See Collection File Af1981,18.1-70.
Representation of: Rizayqat
This short article looks at Sudanese beds in museum collections and suggests alternative narrative to these collections through drawing links to today's issue of displacement and the mobility nature of the Sudanese bed.
The meaning of home is something that gets contested a lot in times of war, what people leave behind and what they take with them as tokens of the homes they left can give glimpses to what really matters. A bed which is one of the most intimate parts of the house is a symbol of comfort and hospitality, being offered a bed to sleep is a common gesture in Sudanese households.
What is private and what is public also changes, as people share housing with others and sleep in public areas that others will try to treat as private.
The most common type of beds in Sudan is the Angareeb, a wood-framed low bed that is weaved by different types of materials. The Angareeb is a key element in various cultural events and rituals such as weddings and funerals, it has been part of the culture since the Bronze Age of the Kerma culture from 1750-1550 BC, where it was used to bury people at the time.
Wooden frame of a bed; bull-hoof feet from the New Kingdom, Purchased through: Sir Ernest A T Wallis Budge in 1887
The angareb is quite practical it could be used with or without a mattress, it’s light-weight and can be carried by one person, that’s why it’s rarely considered a fixed piece of furniture, beds get pulled out of the shade during the summer evenings in northern sudan to the yard so families sleep and spend the evenings in the cool air, angareb can be seen tied to the side of the truck and in shop fronts where the streets become the sleeping rooms for many travelers. In weddings homes the beds become drying racks for dishes and a surface for many uses.
Leather pillow or cushion. Hourglass-shaped with black and orange inserts on either side to expand the shape. Decorated with orange and black leather embroidery on one face.
Sudan; Darfur
Arkell, Anthony John [field collector and donor]
Cultural Affliation: Fellata Ibbe; nomad Felani; Baggara
1937
The bed is the first thing that gets assembled and then the tent is built around it in nomadic settlements, the concept of privacy is key as bed are placed in the most private part of the house, while the front side of the tent as well as the surroundings of the tent are used for other household activities. The beds are usually higher than the regular angareeb to provide more privacy, and it’s size take a dominant presence in the tent.
A group of women from the Umbararro Tribe in Niyala demonstrate how a tent is built 2020 © Zainab Gaafar
2 Photographic prints (black and white); 1. showing an array of woven baskets (kerio and omra) behind is a bed (sarir) in a tent. Umm Korara, South Darfur. 2. showing a camel palanquin and bed outside a tent.
May 1981
Photographed in: Darfur, Umm Korara
Paul Wilson notes this is one of a group of photographs taken at Umm Korara near Rajaj; camp of Shaykh Muhammad Sayara Abu Zakariyya [Rizaygat Jammala]. 1. "Centre is a 'sarir' [bed, called by Jammala 'hiddit'; by the Baggara itis called 'darangal', and by the Fellata 'darangal', 'layso' or 'fel'] It consists of strips of bamboo bound with leather, resting a foot above ground on sticks. Behind the bed by the tent canvas are a number of baskets - kerio + omra". 2. "Centre is shibriya or jifah - palanquin. In front of this is the 'sarir'/ 'darangal' bed".
See Collection File Af1981,18.1-70.
Representation of: Rizayqat
The meaning of home is something that gets contested a lot in times of war, what people leave behind and what they take with them as tokens of the homes they left can give glimpses to what really matters. A bed which is one of the most intimate parts of the house is a symbol of comfort and hospitality, being offered a bed to sleep is a common gesture in Sudanese households.
What is private and what is public also changes, as people share housing with others and sleep in public areas that others will try to treat as private.
The most common type of beds in Sudan is the Angareeb, a wood-framed low bed that is weaved by different types of materials. The Angareeb is a key element in various cultural events and rituals such as weddings and funerals, it has been part of the culture since the Bronze Age of the Kerma culture from 1750-1550 BC, where it was used to bury people at the time.
Wooden frame of a bed; bull-hoof feet from the New Kingdom, Purchased through: Sir Ernest A T Wallis Budge in 1887
The angareb is quite practical it could be used with or without a mattress, it’s light-weight and can be carried by one person, that’s why it’s rarely considered a fixed piece of furniture, beds get pulled out of the shade during the summer evenings in northern sudan to the yard so families sleep and spend the evenings in the cool air, angareb can be seen tied to the side of the truck and in shop fronts where the streets become the sleeping rooms for many travelers. In weddings homes the beds become drying racks for dishes and a surface for many uses.
Leather pillow or cushion. Hourglass-shaped with black and orange inserts on either side to expand the shape. Decorated with orange and black leather embroidery on one face.
Sudan; Darfur
Arkell, Anthony John [field collector and donor]
Cultural Affliation: Fellata Ibbe; nomad Felani; Baggara
1937
The bed is the first thing that gets assembled and then the tent is built around it in nomadic settlements, the concept of privacy is key as bed are placed in the most private part of the house, while the front side of the tent as well as the surroundings of the tent are used for other household activities. The beds are usually higher than the regular angareeb to provide more privacy, and it’s size take a dominant presence in the tent.
A group of women from the Umbararro Tribe in Niyala demonstrate how a tent is built 2020 © Zainab Gaafar
2 Photographic prints (black and white); 1. showing an array of woven baskets (kerio and omra) behind is a bed (sarir) in a tent. Umm Korara, South Darfur. 2. showing a camel palanquin and bed outside a tent.
May 1981
Photographed in: Darfur, Umm Korara
Paul Wilson notes this is one of a group of photographs taken at Umm Korara near Rajaj; camp of Shaykh Muhammad Sayara Abu Zakariyya [Rizaygat Jammala]. 1. "Centre is a 'sarir' [bed, called by Jammala 'hiddit'; by the Baggara itis called 'darangal', and by the Fellata 'darangal', 'layso' or 'fel'] It consists of strips of bamboo bound with leather, resting a foot above ground on sticks. Behind the bed by the tent canvas are a number of baskets - kerio + omra". 2. "Centre is shibriya or jifah - palanquin. In front of this is the 'sarir'/ 'darangal' bed".
See Collection File Af1981,18.1-70.
Representation of: Rizayqat
This short article looks at Sudanese beds in museum collections and suggests alternative narrative to these collections through drawing links to today's issue of displacement and the mobility nature of the Sudanese bed.
The meaning of home is something that gets contested a lot in times of war, what people leave behind and what they take with them as tokens of the homes they left can give glimpses to what really matters. A bed which is one of the most intimate parts of the house is a symbol of comfort and hospitality, being offered a bed to sleep is a common gesture in Sudanese households.
What is private and what is public also changes, as people share housing with others and sleep in public areas that others will try to treat as private.
The most common type of beds in Sudan is the Angareeb, a wood-framed low bed that is weaved by different types of materials. The Angareeb is a key element in various cultural events and rituals such as weddings and funerals, it has been part of the culture since the Bronze Age of the Kerma culture from 1750-1550 BC, where it was used to bury people at the time.
Wooden frame of a bed; bull-hoof feet from the New Kingdom, Purchased through: Sir Ernest A T Wallis Budge in 1887
The angareb is quite practical it could be used with or without a mattress, it’s light-weight and can be carried by one person, that’s why it’s rarely considered a fixed piece of furniture, beds get pulled out of the shade during the summer evenings in northern sudan to the yard so families sleep and spend the evenings in the cool air, angareb can be seen tied to the side of the truck and in shop fronts where the streets become the sleeping rooms for many travelers. In weddings homes the beds become drying racks for dishes and a surface for many uses.
Leather pillow or cushion. Hourglass-shaped with black and orange inserts on either side to expand the shape. Decorated with orange and black leather embroidery on one face.
Sudan; Darfur
Arkell, Anthony John [field collector and donor]
Cultural Affliation: Fellata Ibbe; nomad Felani; Baggara
1937
The bed is the first thing that gets assembled and then the tent is built around it in nomadic settlements, the concept of privacy is key as bed are placed in the most private part of the house, while the front side of the tent as well as the surroundings of the tent are used for other household activities. The beds are usually higher than the regular angareeb to provide more privacy, and it’s size take a dominant presence in the tent.
A group of women from the Umbararro Tribe in Niyala demonstrate how a tent is built 2020 © Zainab Gaafar
2 Photographic prints (black and white); 1. showing an array of woven baskets (kerio and omra) behind is a bed (sarir) in a tent. Umm Korara, South Darfur. 2. showing a camel palanquin and bed outside a tent.
May 1981
Photographed in: Darfur, Umm Korara
Paul Wilson notes this is one of a group of photographs taken at Umm Korara near Rajaj; camp of Shaykh Muhammad Sayara Abu Zakariyya [Rizaygat Jammala]. 1. "Centre is a 'sarir' [bed, called by Jammala 'hiddit'; by the Baggara itis called 'darangal', and by the Fellata 'darangal', 'layso' or 'fel'] It consists of strips of bamboo bound with leather, resting a foot above ground on sticks. Behind the bed by the tent canvas are a number of baskets - kerio + omra". 2. "Centre is shibriya or jifah - palanquin. In front of this is the 'sarir'/ 'darangal' bed".
See Collection File Af1981,18.1-70.
Representation of: Rizayqat
/ answered
The meaning of home is something that gets contested a lot in times of war, what people leave behind and what they take with them as tokens of the homes they left can give glimpses to what really matters. A bed which is one of the most intimate parts of the house is a symbol of comfort and hospitality, being offered a bed to sleep is a common gesture in Sudanese households.
What is private and what is public also changes, as people share housing with others and sleep in public areas that others will try to treat as private.
The most common type of beds in Sudan is the Angareeb, a wood-framed low bed that is weaved by different types of materials. The Angareeb is a key element in various cultural events and rituals such as weddings and funerals, it has been part of the culture since the Bronze Age of the Kerma culture from 1750-1550 BC, where it was used to bury people at the time.
Wooden frame of a bed; bull-hoof feet from the New Kingdom, Purchased through: Sir Ernest A T Wallis Budge in 1887
The angareb is quite practical it could be used with or without a mattress, it’s light-weight and can be carried by one person, that’s why it’s rarely considered a fixed piece of furniture, beds get pulled out of the shade during the summer evenings in northern sudan to the yard so families sleep and spend the evenings in the cool air, angareb can be seen tied to the side of the truck and in shop fronts where the streets become the sleeping rooms for many travelers. In weddings homes the beds become drying racks for dishes and a surface for many uses.
Leather pillow or cushion. Hourglass-shaped with black and orange inserts on either side to expand the shape. Decorated with orange and black leather embroidery on one face.
Sudan; Darfur
Arkell, Anthony John [field collector and donor]
Cultural Affliation: Fellata Ibbe; nomad Felani; Baggara
1937
The bed is the first thing that gets assembled and then the tent is built around it in nomadic settlements, the concept of privacy is key as bed are placed in the most private part of the house, while the front side of the tent as well as the surroundings of the tent are used for other household activities. The beds are usually higher than the regular angareeb to provide more privacy, and it’s size take a dominant presence in the tent.
A group of women from the Umbararro Tribe in Niyala demonstrate how a tent is built 2020 © Zainab Gaafar
2 Photographic prints (black and white); 1. showing an array of woven baskets (kerio and omra) behind is a bed (sarir) in a tent. Umm Korara, South Darfur. 2. showing a camel palanquin and bed outside a tent.
May 1981
Photographed in: Darfur, Umm Korara
Paul Wilson notes this is one of a group of photographs taken at Umm Korara near Rajaj; camp of Shaykh Muhammad Sayara Abu Zakariyya [Rizaygat Jammala]. 1. "Centre is a 'sarir' [bed, called by Jammala 'hiddit'; by the Baggara itis called 'darangal', and by the Fellata 'darangal', 'layso' or 'fel'] It consists of strips of bamboo bound with leather, resting a foot above ground on sticks. Behind the bed by the tent canvas are a number of baskets - kerio + omra". 2. "Centre is shibriya or jifah - palanquin. In front of this is the 'sarir'/ 'darangal' bed".
See Collection File Af1981,18.1-70.
Representation of: Rizayqat
Something not right?
We value your feedback, please fill in the form below and we will respond/ fix the issue as soon as possible.
For general enquires please email us using the link below
Get in Touch